Full Details
THINK.

Description

Drawing: Charcoal on Paper.

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Keywords: black, skull, think, charcoal, dark, death, drawing, human

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Price
: $ 945

About Artist

Mehmet Dere

Mehmet Dere was born in 1979 in İzmir. He graduated from Faculty of Fine Arts, Painting Department at Dokuz Eylül University. He completed his MA in the same faculty and now studying his PhD in Faculty of Arts and Design, Painting Department at Sakarya University. The language that the artist creates in his work exists in an area of many (sociological-psychological) layers that touch one another. The conceptual framework of Dere's early works exists in a political area and deals with the socio-political history of Turkey, its multi-culturalism, identity and creating multi-vocality in terms of belonging and cultural democratization. In terms of form, Dere's generally produce installations through which he can reach the whole from smaller parts. Dere use objects, photos, charcoal patterns and object installations in order to create a personal archive (narrative) in a sense. Also, he create objects based upon the social memory and senses and work on video. In his own words, Dere likes to collect "invisible stories" while creating his works. For the artist, a whole is travelling in time composed of small episodes. Dere constantly feeds his work in this way in their reckoning with and creating reality. Deriving from Turkey's cultural history, the exhibition consists of a series of ironic and upfront constructions, focusing on a research of local and social memory. While the artist builds his work with the retrieved images of the cultural memory, he poetically includes his own subjectivity to all these captivities. Issues of social injustice, resistance and politics of survival are raised not through the artist's observation as an outsider, but from close range; a perspective precisely constructed by the practices of life. This stance, at times tragicomic, and at times built upon the relationship of patience and suffering, is tackled to be presented to the audience time and again, uninterrupted, and almost prayer like. Looking at Turkey's cultural history, while focused on memory, individual and social identity research, the recent work shows an abstract trend towards poetic lyricism fed by internal reality. Dere's non-profit art space , located in İzmir ' Gürceşme', also hosts the contemporary art initiative 49A, of which he is the founder. This studio has been founded with the pursuit to create a space where contemporary art can exist in the rhythm of everyday life, open itself up to the world, and interact with its environment. 49A, which is the construct of a visible and sustainable tangible space, thus aims to ensure the accessibility and possibilities of production and host other people's projects in a playfield. The artist, who has opened his first solo exhibitions in this space, is also a longtime member of the K2 Contemporary Art Center in İzmir and has participated in numerous group exhibitions at the center. Additionally Dere has participated in 'When Ideas Become Crime' curated by Halil Altındere at the Tütün Deposu in 2010; 'Port İzmir 2', Silence Storm, 'International Contemporary Art Triennial' ; and the 'I am Here, The Time is Now' exhibition at Rotterdam curated by Ong Keng Sen and sponsored by the European Culture Fund in 2008. He was awarded the special prize at the '27th Contemporary Artists Exhibition' at Akbank Art Beyoğlu. In 2007, he participated in the special project realized at Santral İstanbul in the scope of the 10th İstanbul Biennial. The artist's first comprehensive solo exhibition titled ' Quid rides? De te fabula narratur.' organized at Rampa consists of a series of ironic and upfront constructs focusing on local and social memory research deriving from Turkey's cultural history.

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Subjugate Painting
Painting: Oil on Canvas. Hands are significant in dislocating the connection an audience would normally encounter with a traditional portrait.
The painting seeks to allow an audience to create their own narrative to the male and female subjects. What is happening? Why cover the eyes and mouth? What are their functions? I would hope the questions lead to other questions to create a scene or moment for the viewer.
This painting used Old Holland and Michael Harding professional oil paints. The ground is 10oz acrylic primed canvas with responsibly sourced 4.4cm deep stretcher bars.